InSite: FIELD GUIDE
Havenwoods State Forest - 6141 N Hopkins St, Milwaukee, WI 53209
PROGRAM
Choreography:
Katelyn Altmann, Cuauhtli Ramírez Castro, Ash Ernesto, Zoe Mei Glise, Alejandra Jiménez, Elisabeth Roskopf, Dan Schuchart, and in collaboration with the dancers
Music Direction and Live Performance:
Lorna Dune, John Larkin, Allen Russell, Antonio Velázquez
Lighting Design & Stage Manager:
Colin Gawronski
Technical Director:
Tony Lyons
Tech Crew & Docents:
Maria Shanklin, Rae Zimmerli
PERFORMERS:
Ometochtli: Favi Álvarez, Leah Colchado, Ash Ernesto, Angelica Escamilla, Norma Gonzalez, Alejandra Jiménez, Mariela Jiménez, Laura Medina, Jaquelin Moreno, María Pérez, Yarely Ramírez, Alejandra Rodríguez Ortega, Antonio Velázquez
Wild Space: Katelyn Altmann, Emma Becker, Audrey Dudek, Angela Frederick, Cuauhtli Ramírez Castro, Ashley Ray Garcia, Zoe Mei Glise, Jessica Lueck, Jenni Reinke, Elisabeth Roskopf, Nicole Spence, Jasmine Uras
Milwaukee County Parks System
Land & Water Acknowledgment
We respectfully acknowledge that the land and waterways encompassed by the Milwaukee County Park System are on the ancestral homeland of Indigenous People, including the Potawatomi, Ho-Chunk, and Menominee. We recognize that they were forcefully removed from their lands along the shores of Michigami, North America’s largest system of freshwater lakes, where the Milwaukee, Menomonee, and Kinnickinnic rivers meet and where the people of Wisconsin’s sovereign nations remain present. In honoring the ancestral owners and stewards of these lands and waterways, we strive to be respectful stewards.
In the Field/Al Campo
Ometochtli - Xochipitzahuatl
Into the Forest/Al Bosque
2A Aztec Dance with Popoxcomitl
2B Hearts of Ember Huehueteotl
Choreography by Cuauhtli Ramirez Castro
In the Holding
Choreography by Elisabeth Roskopf
2C Ometochtli - Firma, Tonantzin, Águila Blanca, Paloma, Copiteo
Ometochtli Mexican Folk Dance
2D Somewhere [In] Between
Choreography by Zoe Mei Glise
2E TRACES
Choreography by Katelyn Altmann
To the Six Directions/A Las Seis Direcciones
Ometochtli - Firma, Fuego and ofrenda for Closing
More about the dances performed by Ometochtli
Section 1: Xochipitzahuatl
Xochipitzahuatl is a Nahuatl word composed of Xochitl, meaning “flower,” and pitzahuatl, meaning “small” — together, “little flower.”
It is a beautiful traditional song sung in the Nahuatl language. The accompanying dance represents an offering to something or someone special. It can be performed at weddings, to celebrate the birth of a child, or during religious festivals.
The song and dance are a powerful representation of the blending of two cultures. The lyrics and attire reflect Indigenous traditions, while the dance is also performed in Catholic celebrations — a practice that emerged from the cultural exchange following the arrival of the Spanish.
Section 2: Aztec Dance with Popoxcomitl
Aztec Dance is a spiritual and cultural expression of Mexico’s Indigenous peoples, rooted in pre-Hispanic rituals. These dances serve as a form of prayer, meditation, and communication with the spiritual world. Dancers move in circles, wearing traditional regalia and making offerings to honor nature, their ancestors, and especially the four elements — earth, air, fire, and water.
More than just a performance, Aztec Dance is a living tradition that helps reconnect participants with their Indigenous identity, heal the wounds of colonization, and preserve cultural heritage. This sacred practice has endured for more than 500 years and continues to thrive in communities throughout Mexico and beyond.
Dances: Firma, Tonantzin, Águila Blanca, Paloma, Copiteo.
Section 3: Closing up for círculo de la Danza.
There are several dances for Aztec dance, but one of the dances that brings energy is Fuego dance! Dancers connect with the element of fire, expressing its strength and vitality through movement. We bring our own energy into the dance, allowing it to flow, transform, and fill the space with life.
The Fuego dance can be performed before or during the Poktapok game — an ancient Mesoamerican ball game similar to today’s soccer. It serves as a way to celebrate life, unity, and the connection between the players, the earth, and the fire element.
The dances are offerings — something we give from the heart. Through movement and reflection, we create an ofrenda (offering) filled with obsequios (gifts) to honor the elements and the spiritual world. We offer copal (sacred incense), the sound of the huehuetl (drum), and the rhythm of the atecocolli, each sound carrying our intentions and gratitude.
Dances: Firma, Fuego and ofrenda for Closing.
Choreographers
Katelyn Altmann is a movement-based artist, choreographer, and educator based in Milwaukee, WI. She holds a BFA in Contemporary Dance Performance and Choreography from UW-Milwaukee’s Peck School of the Arts, where she graduated Summa Cum Laude. Katelyn was named the Inaugural Artistic Fellow at Danceworks, where she continues to cultivate her choreographic practice and further develop performance programming. She has served on faculty for the UW-Milwaukee Department of Dance and has guest taught at the University of Wisconsin-Madison.
Deeply rooted in Milwaukee’s dance community, Katelyn has performed and created work with a wide range of local and national artists. Her choreographic work has been selected to be presented throughout Milwaukee, Chicago, Seattle, and New York including, setting at work within DANSTAGE, a UW-Stevens Point faculty and guest concert. Altmann’s piece “soft ground, stiff shoulder” was presented at the American College Dance Association’s North Central Conference (ACDA), and in 2019, she collaborated with Joe Goode on the dance film “Real Words,” supported by the National Endowment for the Arts. Katelyn has furthered her training at Juilliard, Milwaukee Ballet, Seattle Festival for Dance + Improvisation, Point Park, GALLIM and Bates Dance Festival. She also received two Undergraduate Research Fellowships at UW-Milwaukee focused on movement research.
Katelyn is a current company member with Danceworks Performance MKE, Li Chiao Ping Dance, Wild Space Dance Company and has performed with The Seldoms, Hyperlocal MKE, The Gina Laurenzi Dance Project, Aperi Animam, Milwaukee Opera Theater, and the Milwaukee Symphony Orchestra.
Cuauhtli Ramirez Castro (he/they) is a Mexican performing artist and dancer. He studied Performing Arts at the University of Guanajuato having a multidisciplinary approach, combining contemporary dance and acting techniques in his training. They have performed at the International Cervantino Festival (2016), as well as the Guanajuato International Film Festival (2015). They graduated from the University of Wisconsin-Milwaukee with a BFA in Contemporary Dance Performance and Choreography (2021). During his last year he was part of UWM´s Undergraduate Research Fellowship program as a teaching and research assistant for the project Parts of The Whole: The Body is Home under the mentorship of Maria Gillespie. During their time in Milwaukee, they have performed and collaborated in works by Maria Gillespie, Emma Draves, Bernard Brown, Caitlin Mahon, Joe Goode, Mair Culbreth, Amanda Lee, Cedar Becher, etc. And worked in companies such as Danceworks DPMKE, Wild Space, and Li Chiao-Ping Dance.
Zoe Mei Glise (she/her) is a choreographer, performer, and movement-based artist born in China, and located in Milwaukee, WI. Zoe is Danceworks’ Development and Partnerships Fellow, as well as a company member with Danceworks Performance MKE (DPMKE), Wild Space Dance Company, and the Gina Laurenzi Dance Project (GLDP). Previously, she has danced with Madison Contemporary Dance and Nova Linea Contemporary Dance. Zoe received her Bachelor of Fine Arts in Contemporary Performance and Choreography at the University of Wisconsin-Milwaukee. In 2019, with the help of a National Endowment for the Arts grant, Zoe collaborated with Joe Goode to create a dance film “Real Words” which was presented at the North Central American College Dance Association (ACDA).
In the summer of 2022, Zoe was selected to travel to Paris, France to attend the Camping Residency at the Centre National de le Danse, where her work “what was, what is” was performed. Her solo “blood, DNA, connection” was accepted to present at the National Conference on Undergraduate Research (NCUR) in Bozeman, MT. She has been selected numerous times to choreograph for Danceworks’ Get It Out There concerts in Milwaukee, WI, and has set work for performances with La Crosse Dance Centre in La Crosse, WI. In 2025, her most recent work “Property of Society” was selected to perform at the Emergence festival in Chicago, IL and Dance for Hope MKE in Milwaukee, WI. Zoe has furthered her training through summer intensives and workshops, working with companies such as the Joffrey Ballet, Bandaloop, Wasatch Contemporary Dance, Nova Linea Contemporary Dance, Stewart/Owen Dance, and the Minnesota Conservatory for the Arts. In the fall of 2024, Zoe presented her debut evening length performance “Uncommon Ground” held at Adventure Rock Milwaukee, as a way to blend her two passions—dance and rock climbing.
Alejandra Jiménez was born in Cuernavaca, Morelos, México, in 1984. She began dancing at the age of five, and by twelve she had joined the representative Compañía de Danza Folclórica de la Universidad del Estado de Morelos. Her passion for the performing arts, education, and nature led her to pursue a Bachelor’s Degree in Biology and a Diploma in Mexican Folk Dance and Arts at the Centro Cultural Universitario de Cuernavaca. She also completed a technical certification in Mexican Folk Dance at the Universidad Simón Bolívar in Tixtla, Guerrero.
Throughout her teens, Alejandra performed with the Universidad Autónoma del Estado de Morelos in Cuernavaca, the representative group of Cuernavaca city Sol Naciente Academy, and the Chicahuastli Dance Studio in Mexico City. She also joined the research team of the Instituto de Investigación y Difusión de la Danza Mexicana and taught folk dance at elementary, middle, high school, and adult levels across various institutions in Cuernavaca, Mexico.
In 2010, Alejandra moved to Kenosha, Wisconsin, where she earned a Master’s Degree in Education at Carthage College. While there, she taught Latin dances and created choreographies for the annual performance at Carthage’s Wartburg Theatre. She also began developing choreographies that combined dance with environmental education, presenting projects in Mexico, Guatemala, and the United States.
Two years later, she moved to Milwaukee to work as an Environmental Educator at the Urban Ecology Center, where she also led Mexican folk dance and Aztec dance classes for the community. During this time, she performed with the Mexican dance academies Hermanos Ávila and Escamilla Entertainment.
In 2020, Alejandra founded her own dance company, Ometochtli Mexican Folk Dance, with the mission of helping Mexican Americans and Mexicans to connect with their cultural heritage in Milwaukee, while promoting and preserving Mexican traditions. She also began teaching children’s folk dance and Aztec dance at CORE El Centro, and at Milwaukee Public Schools, offering both virtual and in-person classes.
Alejandra is passionate about sharing her culture through movement and artistic expression. Her mission is to celebrate and preserve Mexican traditions while fostering community, social responsibility, and cross-cultural understanding.
Born in South Korea and raised in Wisconsin, Elisabeth Roskopf 이지영 is a dancer, performer, choreographer, educator, pianist, and a mother to her daughter, Alina. She is a company member of Li Chiao-Ping Dance, Danceworks Performance MKE, Wild Space Dance Company, and the Gina Laurenzi Dance Project. Elisabeth received her Bachelor of Arts in Piano and a minor in Dance from the University of Wisconsin-Eau Claire. She earned her Master of Fine Arts in Dance at the University of Wisconsin-Milwaukee (UWM) where she is honored to be a recipient of the Graduate Student Excellence Fellowship award. Elisabeth’s Dance MFA thesis concert, | Out of Place |, became a platform for her to create the first Transracial Asian American Adoptee Dance Project in the city of Milwaukee. At UWM, she began her career in academia as a lecturer in the Department of Dance and became a graduate teaching assistant while she is also performing and studying under the distinguished professors and guest artists such as Daniel Burkholder, Maria Gillespie, Mair Culbreth, Dan Schuchart, Dawn Springer, Deb Loewen, Mauriah Donegan Kraker, Vershawn Sanders-Ward, Jan Erkert, Alexandra Beller, Kevin Williamson, Teresa VanDenend Sorge, and Sooyeon Lee. Elisabeth is the Founder and Creative Director of Dance For Diversity, a screendance project that is made explicitly for Artists of Color to share their voices and stories of identity through their dance-making and performance work.
Elisabeth co-produced and performed in Provenance: A Letter to My Daughter, an award-winning screendance work created with director/choreographer Li Chiao-Ping and cinematographer/editor Christal Wagner. This dance film has been selected to be screened in various film festivals nationally and internationally, such as the 2024 Incheon International Short Film Festival (Finalist for Best Short Film), 2024 Busan New Wave Short Film Festival (Best Editing Award), 2023 Experimental, Dance & Music Film Festival (Best Direction Award), 2023 Milwaukee Film Festival, to name a few.
As the second installment following Provenance, Elisabeth conceived 결코 잃지 않았다 (Never Lost) as the next chapter in her ongoing MFA thesis research. This dance film was created in collaboration with director, choreographer, and producer Li Chiao-Ping, cinematographer and editor Christal Wagner, and featuring performance, unscripted narration, and additional choreography by Elisabeth. Never Lost received the Honorable Mention in Direction award from the 10,000 Dreams Film Festival, the Audience Choice Award from the Asian American Dance Festival, and the Exceptional Merit Award from the 2025 WRPN Women’s International Film Festival.
Elisabeth’s research encompasses autoethnography in movement through storytelling that creates a path for her embodied subjectivity. She links her corporeal experiences through cultural studies, post-colonial studies, and embodied cultural memory. As a Korean American Dance Artist, Elisabeth’s choreographic work creates a platform for Adoptees and BIPOC Dance Artists to have a place to be visible in the fullness of their identity and authenticity while fostering a sense of belonging through embodied storytelling.
Music Direction and Live Performance:
Lorna Dune is an electronic artist and sound designer. A classically trained pianist turned synthesist, she has shared the stage with renowned composers like Steve Reich, Philip Glass, Meredith Monk, and Missy Mazzoli, performing at Carnegie Hall, the Whitney Biennial, BAM Next Wave, and more. She is one of eight female-identifying Ableton Certified Trainers in the U.S., empowering others through music technology. Lorna is currently based in Milwaukee, where she teaches at Alverno College and is co-curator of the Out There Series. She also serves as Audio Director for Austin-based SoundSelf, developing digital therapeutic audio-visual software, and contributes to projects bridging neuroscience, health, and wellness through music and sound therapy.
Her newest ambient record “Sequential Dreaming” will be released this Fall on Mystery Circles Records.
John Larkin is a musician and artist living and working in Milwaukee. His music utilizes trumpet, tape loops, voice, and synths, and can sound anywhere from minimalist and neat to blurry and chaotic. In addition to his solo work he collaborates with local groups Lightninging and Angelica.
He also facilitates performances at the Jazz Gallery Center for the Arts, and co-curates the Out There series, a free and all-ages performance series showcasing local and regional experimental musicians, poets and performance artists.
Artist IG: @jhn_lrkn
Out There Series IG: @out_there_series
Allen Russell is a violinist, composer and instructor based in Milwaukee, WI. He began his musical studies on the violin at age 5, and studied at the String Academy of Wisconsin with Mimi Zweig and David Becker before later going on to study with Jerome Franke and Dr. Bernard Zinck. Allen is a composer of dance music and has scored shows for Milwaukee Ballet, UWM Dance, Danceworks Inc., and others. He has performed with his Hot Swing quartet Swing Chevron at festivals around the midwest and has contributed to the efforts of Tontine Ensemble premiering the new works of modern composers. Allen is a registered Suzuki Violin instructor and holds a Master of Fine Arts in String Performance and Pedagogy from UW Milwaukee.
Wild Space Dancers
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Emma Becker is a dancer, Choreographer, and Educator with a BFA in Dance from the University of Wisconsin Milwaukee. She started studying ballet at the age of 5 in the Central Wisconsin School of Ballet and Modern dance as a student at UWM, she is still training in both today. Emma has attended the Milwaukee Ballet Summer Intensive, the American Ballet Theatre Summer Intensive, as well as workshops with Carlos Lopez, choreographer/dancer and director of repertoire at ABT. While getting her degree at UWM, Emma has worked with Choreographers like Kia Smith, Alfonso Cervera, Katie Pile, Maria Gillespie, Gina Laurenzi, and Mair Culbreth. She has also performed in other shows like Dancework’s MKE’s Get it Out There performances, in Alluvion Dance Chicago’s Emergence show, and in Milwaukee Ballet’s Emergence performance. Emma is currently teaching at Kinetic Dance Arts, dancing with Wild Space, as well as working on many other projects.
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Jessica Lueck is a dancer currently based in Milwaukee, WI. Through the University of Wisconsin-Milwaukee she has attained two degrees, one in Dance Performance and Choreography and the other in Information System and Technology. Through the duration of her time at UWM, she has studied modern, ballet, jazz, improvisation, composition, Alexander technique, laban movement analysis, applied anatomy, and numerous other master classes. She has also performed in works created for several UW-Milwaukee Faculty Shows, working with Artists such as Emma Draves, Daniel Burkholder, Maria Gillespie, Deb Loewen, Parijat Desai and Dawn Springer. Jessica has also studied abroad in 2022 through the Centre national de la Danse in Paris, France. In 2023, she attended SALT Link dance festival in Utah, working with Christian Denice and Nicole Von Arx. Before attending UWM, she has had training from the Milwaukee HighSchool of the Arts, where she studied modern, ballet, pointe and composition under Sandra Jordan and Dean Drews, with additional instructors such as Amie Ferrante and Petr Zahradníček assisting in her training. She has also had numerous Master classes during this period including Milwaukee Ballet and Alvin Ailey II Company and more. She is currently a dance instructor at B.Inspired dance, where she teaches numerous styles of dance to both Recreational and competitive students. Jessica also performs with Wildspace Company as a Freelance artist and has started her fourth season with Danceworks Performance MKE.
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Ashley Ray Garcia is a dancer and choreographer from Michigan. She received her BFA in Dance Performance and Choreography from the University of Wisconsin-Milwaukee. Through her love of traveling, she has had the opportunity to perform in France, Germany, Denmark, Belgium, and the Czech Republic. Garcia has shown work at Central de La Danse (Paris, France), Get It Out There MKE (Wisconsin), Collage Dance Festival, and RAD Fest (Michigan). In April 2024, she directed and choreographed her own evening-length performance, For The Wolves. Ashley has also taught classes and workshops in Michigan, Wisconsin, France, and the Czech Republic. She is currently a company member of Wild Space Dance Company and Danceworks Performance Company while choreographing independently. Garcia enjoys choreographing, performing, and improvisation and looks forward to gaining knowledge through both exploration and experience. She is also a published author of her poetry book, Forget-Me-Not.
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Jasmine Uras is a performing artist, educator, and choreographer in Milwaukee, Wisconsin. She has received a Bachelor of Arts in Dance and Master of Fine Arts at the University of Wisconsin-Milwaukee. Jasmine taught and performed at Centre National de la Danse in Paris, France during the summer of 2022. She is a teaching artist with Danceworks Inc., Milwaukee Ballet, and Wildspace Dance Company Outreach. Her work “Strings of Healing” was presented in the American College Dance Association Conference in 2022 as well as the Centre National de la Danse in Paris, France. Jasmine’s most recent work Resonance premiered at The Kenilworth Studios in February of 2024. She is currently a performer with WildSpace Dance Company and Guest Artist for DPMKE.
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Audrey Dudek is a dancer and choreographer based in Milwaukee, Wisconsin. She recently earned her Bachelor of Arts in Dance from the University of Wisconsin–Milwaukee, where she collaborated and performed in works by Simone Ferro, Daniel Burkholder, Maria Gillespie, Dan Schuchart, Dawn Springer, and Gina Laurenzi. She has performed professionally with Fable Dance Company and Gina Laurenzi Dance Project, and served as assistant choreographer to MFA candidate Sarah Holmes for her work in UWM’s MFA concert, Upstart. Audrey continues to pursue her passion for dance through collaboration, exploration, and performance, and is excited to make her debut with Wild Space Dance Company.
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Angela Frederick has been teaching dance at UW-Milwaukee since 2009, a company member of Wild Space Dance Company 2007-2018, 2024-present. After graduating with a BFA in Dance from UW-Milwaukee, Angela established her presence in the Milwaukee arts scene by teaching dance and gymnastics, and performing with various local companies including Danceworks, the Florentine Opera Company, Dale Gutzman Productions, and City Ballet Theatre/Signatures Contemporary Dance Company. While performing with City Ballet Theatre, Angela made her move to Chicago and began working with Kinetic Dance Theatre. During her time in Chicago, she was a company member with Perceptual Motion Inc., Irreverence Dance + Theatre (Innervation Dance Cooperative), and Jayson Dance Co. (Jayson-Tisa Dance Company). Angela has choreographed and appeared in work in Solstance, Around the Coyote Dance Festival, Dance Chicago, and more. Since her return to Milwaukee, she has performed the role of Margot in the Florentine Opera’s Merry Widow and has been enjoying dancing, teaching, and choreographing with such organizations as Wild Space, UW-Milwaukee, Lawrence University (2010-2017), Milwaukee Turners, Keep Greater Milwaukee Beautiful, and Greendale Community Theatre.
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Nicole Spence is a movement artist in the Milwaukee community. She studied modern dance at UWM and has collaborated with many dance artists such as Daniel Burkholder, Dani Kuepper, Kym McDaniel, Amanda Lee, Katy Pyle, Ari Christopher and many more wonderful artists. She channels her passion for dance into her career leading music and movement classes for the elderly at the Milwaukee Catholic Home. She has interned and performed with Wild Space periodically since 2016. She is excited to be back dancing with Wildspace continuing her movement exploration.
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Jenni Reinke is a multidisciplinary performing artist, administrator and teacher. She has danced with Wild Space since 2018 and has served as managing director since 2020, supporting the organization through its historic transition of artistic and executive leadership and expansion of diversity initiatives. Her work for four dancers, “At Right Angles to Ordinary,” was commissioned for the company’s final season under direction by Founding Director Debra Loewen. As a founding member of Quasimondo Physical Theatre, Jenni has devised more than 20 original projects since 2012. Credits include creator, co-director, choreographer, and performer. The press has praised her work as “gloriously full-bodied [dancing]...gorgeous” (Milwaukee Magazine); “Always mesmerizing…ravishingly beautiful…riveting” (Milwaukee Journal Sentinel); “virtuoso…a powerful dancer and formidable stage presence” (Shepherd Express); “precise, captivating, and unafraid of humor” (Chicago Reader); “a tour de force of the highest artistic integrity” (playonmke.com). Beyond Milwaukee, she has performed her work in New York, Vermont, Chicago, and Minneapolis, most recently touring her original solo dance theater production Mrs. Wrights. An alum of the nonprofit leadership program Public Allies, Jenni has managed projects addressing arts education, social, environmental and food justice. She has taught dance, music and collaborative art to students of all ages. Jenni holds an MFA in Dance/Choreography from University of Wisconsin Milwaukee and a BA with a music major and philosophy minor from Beloit College. To learn more, please visit www.jennireinke.com.
Production Team
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Lighting Design & Stage ManagerColin Gawronski is a lighting designer and theatrical technician native to Milwaukee who has worked extensively with Danceworks, Inc, Milwaukee Chamber Theatre, Sunstone Studios and Black Arts MKE/Bronzeville. They have worked with other local companies such as Renaissance Theaterworks, Wild Space Dance Company, Milwaukee Opera Theatre, Gina Laurenzi Dance Project, and In Tandem Theatre. Colin has also worked with Theatre Lila, Third Avenue Playworks and Forward Theater. Favorite productions include: Stew, Out of Many One, ‘Neath the Hills of Bastogne, /maskəˈrād/, Dutchman, Black Nativity, Romeo & Juliet: A Theatre Lila Invention, Secrets From the Wide Sky, Daddy Long Legs, Spalding Grey: Stories Left to Tell, Stories From a Life, The Glass Menagerie, Serendipity, Birds of North America, My Fair Lady, Lamps For My Family, and Vagabondare. Give Love Always.
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Technical DirectorTony has been doing work for theater and dance the last 27 years. He is the technical director for Wild Space Dance Company and Renaissance Theaterworks. He has worked for UWM Dance, Danceworks, Alverno Presents (R.I.P.), Skylight Music Theatre, Milwaukee Chamber Theatre, and Bialystock & Bloom (R.I.P.). In a parallel universe, Tony is a partner in a small custom carpentry firm.
Special Thanks to:
Angela Vickio, Havenwoods State Forest Staff, The Out There Series, and Jeff Grygny
This program is made possible in part by a Ruth Foundation for the Arts' Wisconsin Special Project Grant and Bader Philanthropies. This program is supported by a grant from the Milwaukee Arts Board and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Thanks to major season sponsors Stephen Baker & Dr. Nadine A. Chang, Herzfeld Foundation, Bert L. & Patricia S. Steigleder Charitable Trust, and:
