Photo by Jeff Pearcy

Beyond the Shimmer

Jan Serr Studio

We acknowledge in Milwaukee that we are on traditional Potawatomi, Ho-Chunk and Menominee homeland along the southwest shores of Michigami, North America’s largest system of freshwater lakes, where the Milwaukee, Menominee and Kinnickinnic rivers meet and the people of Wisconsin’s sovereign Anishinaabe, Ho-Chunk, Menominee, Oneida and Mohican nations remain present.

PROGRAM

Artistic Director: Dan Schuchart

Guest Artist: Alexandra Barbier

Dancers: Katelyn Altmann, Emma Becker, Angela Frederick, Cuauhtli Ramírez Castro, Ashley Ray Garcia, Zoe Mei Glise, Jessica Lueck, Jenni Reinke, Elisabeth Roskopf, Dan Schuchart, Nicole Spence

Lighting Design & Stage Manager: Colin Gawronski

Technical Director: Tony Lyons

few things ahead of time: Dan’s Wild Space

Choreography: Alexandra Barbier

Performer: Dan Schuchart

Music: “La Ritournelle” by Sébastien Tellier

Choreographer’s Notes: few things ahead of time is a project in which I create solos on performers I admire in a 48-hour process. As the title suggests, I set very little in stone before the process begins — usually only the performer and the venue/platform in which the solo will be presented. The goal (and the fun) of this project is allowing intuition to take over and committing to a “whatever happens, happens” mindset… not allowing myself to overthink or judge my choices too deeply. 

Dan’s solo, few things ahead of time: Dan’s Wild Space is the third solo I’ve created since I began the project in the summer of 2025. I was THRILLED that he was interested in doing it. First of all, I knew very little about him as a dancer before we began. We had spent a limited amount of time together socially, but not artistically. Knowing nothing about his movement proclivities helped me to NOT plan any movement ahead of our time together! And, turns out, he is an incredible mover and performer. I was blown away by the choices he made when I gave him improvisational prompts, and by his capacity to remember the amount of material that I threw at him in such a short amount of time. 

Second, I have a very soft spot in my heart for Milwaukee and I am eager to know (and become a long-distance member of) the dance community there. In fact, I came up with the concept of few things ahead of time at Atwater Beach in July 2025. I was visiting for the summer and having sort of a nervous breakdown… I had just lost both of my grandparents (who I was really close to), I was questioning if I wanted to continue being a dance artist, if I wanted to continue working in dance academia, if I wanted to keep living where I’d been living. After much crying as I stared out at Lake Michigan, I came up with few things ahead of time as a way to rekindle my interest in dance. Luckily for me (and thanks to artists like Dan), it’s working.

Choreographers always have a rolodex of images, songs, and sensations saved in our subconscious to pull from… even when we try not to plan ahead! I had been listening to the song featured in the solo for at least 6 years and always hoped I’d get around to creating something that used it. The finished product holds a lot of ideas that I’ve been excited about over the past couple of months: the sense of wildness and abandon that one has when they're dancing like no one’s watching (we called this “bedroom dancing” during the process); lip synching; something I call “flirting with architecture,” which involves developing a playful, coquettish relationship with non-living parts of a room; line-dancing (steps from 803Fresh’s "Boots on the Ground" and Big Mucci’s “Biker Shuffle” appear in the piece, but have been manipulated in a way that they’re likely not recognizable); and imagery from memes that I thought were funny. It was a playful process that yielded a solo that is tender, silly, spirited, and charming all at once. 

Beyond the Shimmer

Choreography: Dan Schuchart in collaboration with the dancers.

Dancers: Katelyn Altmann, Emma Becker, Angela Frederick, Cuauhtli Ramírez Castro, Ashley Ray Garcia, Zoe Mei Glise, Jessica Lueck, Jenni Reinke, Elisabeth Roskopf, Nicole Spence

Music: Sound collage includes - Instruments of Science & Technology, Mappe Of, Brian Eno, Michael Gordon, Bruno Bravota, Sō Percussion, Max Richter, VOCES8, The Orb, Leilehua Lanzilotti, Styrofoam

Text: Brian Rott, Ambrose Schulte

Costumes: Kalyn Diercks

Video/Scenic: Dan Schuchart

Choreographer’s Notes: Thank you to the UW-Milwaukee dance students who collaborated on the original creation of this work, and to the Wild Space dancers for carrying it forward into this new and exciting iteration.

TEXT in the performance

TIME (Schulte)

There was a time when nothing existed. Then everything began, and everything was new. I danced. I was seen. I celebrated. I breathed with purpose. I felt at peace. I was whole. There was a time when being was all that mattered. There was a time when I ate the best orange ever. The juice ran down my chin and fingers, a sticky stain that kept spreading. I was a kid then. I crashed a scooter into the back of a truck, and the scab turned into a scar. Even then, I laughed so hard I couldn’t breathe.

The time came when I grew up. I turned my back, I stayed behind, no one was left. I wanted to return. I couldn’t do it. I lost myself. Turned my back. There was a time when I thought the world was over. There will be a time when it is. Then, everything will be new. There will be a time when it all starts again. There was a time when I was lost in the dark. A time when everything held its breath, when something spectacular happened, when everything came alive. In time, I saw the shimmer. Follow the light.

PREPARATION (Rott)

Waking before alarms, my dreams already in orbit. Memorizing procedures into familiar prayers. Running simulations, fear dissolving into muscle memory. Counting backwards. Run, jump, squat, stand, ingest, sustain BMI and caloric intake. 700, 500, 200, done. Remember to relish each meal. Clutch loved one’s hands. I laugh at sad things and cry for happy. My feelings unmuzzle too freely. Is gravity already loosening?

Focus. Compose. Submit to medical hands, numbers, scans—become the data, improve probability. Trust the machine, the math, the calluses of repetition. I am insulated. Warmed by a patchwork of rest assure faces. Accepting control is a story we rehearse. Becoming a question awaiting an answer.

Holding, waiting.Watching the sky. 

MIR (Schulte)

February, 1986. There’s a chill in the air, the kind that always persists throughout the harsh, Soviet winters. But nothing can freeze the excitement of everyone gathered. It buzzes in the breeze, thrumming with the rush of innovation and discovery. Today is the day; today is the launch of the Proton-K rocket carrying Mir, the first space station.

2001. The end. Finally, Mir returns–to a new country, a new Russia. Children are designed to outlast their parents. It’s the natural cycle of life. Even so. Leaving home, being sent away from your birth place, only to return years later as a stranger in a foreign land. How does anyone face that kind of loneliness? How is anyone supposed to face that kind of loneliness?

Maybe Mir knew better. Maybe it had practice with loneliness after years of drifting through endless space. Alone, in the cold and dark. Solitude. The only station. Existence that stretches so long it forgets there was ever even a before. Until suddenly, something. Another. Mundanity and routine shatters alongside one of Mir’s modules. Now, nothing is clear. Direction and navigation are lost, chipped off into the cosmos. Even the most detailed of plans crumble in the face of coincidence. Wherever, whenever, the power of pure chance will always come into play. The vastness of space, powerful and all-consuming as it is, cannot prevent collision (contact, connection). No one is ever truly alone.

ORBITING (Rott)

The novelty of falling loses its inertia over time. We long to resume terrestrial attractions. To lay on surfaces, slump on shoulders, and succumb to the simple pleasures of gravity. I am beginning to doubt my memory of things. The weight of an orange, the smoothness, the waxiness of peeled rind. The stickiness of juice. Dried. On my mouth. On my fingers. The sound of squeaky faucets and running water. And dripping water. The magic of small things.

Restless, I watch the blue planet like a lover turning in sleep. Admiring its motions of peaceful slumber. Oceans pretend to be still while watching white clouds dance. Weather seems more mood than science. Continents creep 1,000 miles a minute. Night arrives instantly with an infinity of stars. They pulse, competing for recognition, longing to be named. I map Earth's constellations, connecting lines to city flickers. Small beacons of home speaking in morse code.

Below, it continues: faucets, voices, smiles, laughs, faces and names, everything… Am I above the world or inside its dreaming? Each orbit winds us closer and further away. Threaded between everything and forever.

 SPACE (Schulte)

There was a space that we moved in, and it existed in our presence. There was a space that breathed alongside us. In and out. All around. Everything came alive. There was a space that was mine. I understood it, and that knowledge created wonder. There was a space I belonged in. Here, in the space, we find truth.

Even with all the stars in the sky, there is still space for emptiness. Stillness. The quiet of void. When stars die, they explode. The space erupts into light and heat and life until there’s nothing left of what was before. Still, there is quiet. There is space. It is not out there, it is in here. There is time. Here.

Choreographers

Wild Space Dancers

Production Team

Thank you to the UW-Milwaukee Dance Department, PSOA Facilities, Deb Loewen, Simone Ferro, Alexandra Barbier, Jeff Pearcy, and the Wild Space Board of Directors

This program is supported by a grant from the Milwaukee Arts Board and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Thanks to our season supporters Bert L. & Patricia S. Steigleder Charitable Trust, Baker & Dr. Nadine A. Chang, Gardner Foundation, Pieper Electric, Inc./Ideal Mechanical and: