Photo by Jeff Pearcy

Beyond the Shimmer

Jan Serr Studio

We acknowledge in Milwaukee that we are on traditional Potawatomi, Ho-Chunk and Menominee homeland along the southwest shores of Michigami, North America’s largest system of freshwater lakes, where the Milwaukee, Menominee and Kinnickinnic rivers meet and the people of Wisconsin’s sovereign Anishinaabe, Ho-Chunk, Menominee, Oneida and Mohican nations remain present.

PROGRAM

Artistic Director: Dan Schuchart

Guest Artist: Alexandra Barbier

Dancers: Katelyn Altmann, Emma Becker, Angela Frederick, Cuauhtli Ramírez Castro, Ashley Ray Garcia, Zoe Mei Glise, Jessica Lueck, Jenni Reinke, Elisabeth Roskopf, Dan Schuchart, Nicole Spence

Lighting Design & Stage Manager: Colin Gawronski

Technical Director: Tony Lyons

few things ahead of time: Dan’s Wild Space

Choreography: Alexandra Barbier

Performer: Dan Schuchart

Music: “La Ritournelle” by Sébastien Tellier

Choreographer’s Notes: few things ahead of time is a project in which I create solos on performers I admire in a 48-hour process. As the title suggests, I set very little in stone before the process begins — usually only the performer and the venue/platform in which the solo will be presented. The goal (and the fun) of this project is allowing intuition to take over and committing to a “whatever happens, happens” mindset… not allowing myself to overthink or judge my choices too deeply. 

Dan’s solo, few things ahead of time: Dan’s Wild Space is the third solo I’ve created since I began the project in the summer of 2025. I was THRILLED that he was interested in doing it. First of all, I knew very little about him as a dancer before we began. We had spent a limited amount of time together socially, but not artistically. Knowing nothing about his movement proclivities helped me to NOT plan any movement ahead of our time together! And, turns out, he is an incredible mover and performer. I was blown away by the choices he made when I gave him improvisational prompts, and by his capacity to remember the amount of material that I threw at him in such a short amount of time. 

Second, I have a very soft spot in my heart for Milwaukee and I am eager to know (and become a long-distance member of) the dance community there. In fact, I came up with the concept of few things ahead of time at Atwater Beach in July 2025. I was visiting for the summer and having sort of a nervous breakdown… I had just lost both of my grandparents (who I was really close to), I was questioning if I wanted to continue being a dance artist, if I wanted to continue working in dance academia, if I wanted to keep living where I’d been living. After much crying as I stared out at Lake Michigan, I came up with few things ahead of time as a way to rekindle my interest in dance. Luckily for me (and thanks to artists like Dan), it’s working.

Choreographers always have a rolodex of images, songs, and sensations saved in our subconscious to pull from… even when we try not to plan ahead! I had been listening to the song featured in the solo for at least 6 years and always hoped I’d get around to creating something that used it. The finished product holds a lot of ideas that I’ve been excited about over the past couple of months: the sense of wildness and abandon that one has when they're dancing like no one’s watching (we called this “bedroom dancing” during the process); lip synching; something I call “flirting with architecture,” which involves developing a playful, coquettish relationship with non-living parts of a room; line-dancing (steps from 803Fresh’s "Boots on the Ground" and Big Mucci’s “Biker Shuffle” appear in the piece, but have been manipulated in a way that they’re likely not recognizable); and imagery from memes that I thought were funny. It was a playful process that yielded a solo that is tender, silly, spirited, and charming all at once. 

Beyond the Shimmer

Choreography: Dan Schuchart in collaboration with the dancers.

Dancers: Katelyn Altmann, Emma Becker, Angela Frederick, Cuauhtli Ramírez Castro, Ashley Ray Garcia, Zoe Mei Glise, Jessica Lueck, Jenni Reinke, Elisabeth Roskopf, Nicole Spence

Music: Sound collage includes - Instruments of Science & Technology, Mappe Of, Brian Eno, Michael Gordon, Bruno Bravota, Sō Percussion, Max Richter, VOCES8, The Orb, Leilehua Lanzilotti, Styrofoam

Text: Brian Rott, Ambrose Schulte

Costumes: Kalyn Diercks

Video/Scenic: Dan Schuchart

Choreographer’s Notes: Thank you to the UW-Milwaukee dance students who collaborated on the original creation of this work, and to the Wild Space dancers for carrying it forward into this new and exciting iteration.

TEXT in the performance

TIME (Schulte)

There was a time when nothing existed. Then everything began, and everything was new. I danced. I was seen. I celebrated. I breathed with purpose. I felt at peace. I was whole. There was a time when being was all that mattered. There was a time when I ate the best orange ever. The juice ran down my chin and fingers, a sticky stain that kept spreading. I was a kid then. I crashed a scooter into the back of a truck, and the scab turned into a scar. Even then, I laughed so hard I couldn’t breathe.

The time came when I grew up. I turned my back, I stayed behind, no one was left. I wanted to return. I couldn’t do it. I lost myself. Turned my back. There was a time when I thought the world was over. There will be a time when it is. Then, everything will be new. There will be a time when it all starts again. There was a time when I was lost in the dark. A time when everything held its breath, when something spectacular happened, when everything came alive. In time, I saw the shimmer. Follow the light.

PREPARATION (Rott)

Waking before alarms, my dreams already in orbit. Memorizing procedures into familiar prayers. Running simulations, fear dissolving into muscle memory. Counting backwards. Run, jump, squat, stand, ingest, sustain BMI and caloric intake. 700, 500, 200, done. Remember to relish each meal. Clutch loved one’s hands. I laugh at sad things and cry for happy. My feelings unmuzzle too freely. Is gravity already loosening?

Focus. Compose. Submit to medical hands, numbers, scans—become the data, improve probability. Trust the machine, the math, the calluses of repetition. I am insulated. Warmed by a patchwork of rest assure faces. Accepting control is a story we rehearse. Becoming a question awaiting an answer.

Holding, waiting.Watching the sky. 

MIR (Schulte)

February, 1986. There’s a chill in the air, the kind that always persists throughout the harsh, Soviet winters. But nothing can freeze the excitement of everyone gathered. It buzzes in the breeze, thrumming with the rush of innovation and discovery. Today is the day; today is the launch of the Proton-K rocket carrying Mir, the first space station.

2001. The end. Finally, Mir returns–to a new country, a new Russia. Children are designed to outlast their parents. It’s the natural cycle of life. Even so. Leaving home, being sent away from your birth place, only to return years later as a stranger in a foreign land. How does anyone face that kind of loneliness? How is anyone supposed to face that kind of loneliness?

Maybe Mir knew better. Maybe it had practice with loneliness after years of drifting through endless space. Alone, in the cold and dark. Solitude. The only station. Existence that stretches so long it forgets there was ever even a before. Until suddenly, something. Another. Mundanity and routine shatters alongside one of Mir’s modules. Now, nothing is clear. Direction and navigation are lost, chipped off into the cosmos. Even the most detailed of plans crumble in the face of coincidence. Wherever, whenever, the power of pure chance will always come into play. The vastness of space, powerful and all-consuming as it is, cannot prevent collision (contact, connection). No one is ever truly alone.

ORBITING (Rott)

The novelty of falling loses its inertia over time. We long to resume terrestrial attractions. To lay on surfaces, slump on shoulders, and succumb to the simple pleasures of gravity. I am beginning to doubt my memory of things. The weight of an orange, the smoothness, the waxiness of peeled rind. The stickiness of juice. Dried. On my mouth. On my fingers. The sound of squeaky faucets and running water. And dripping water. The magic of small things.

Restless, I watch the blue planet like a lover turning in sleep. Admiring its motions of peaceful slumber. Oceans pretend to be still while watching white clouds dance. Weather seems more mood than science. Continents creep 1,000 miles a minute. Night arrives instantly with an infinity of stars. They pulse, competing for recognition, longing to be named. I map Earth's constellations, connecting lines to city flickers. Small beacons of home speaking in morse code.

Below, it continues: faucets, voices, smiles, laughs, faces and names, everything… Am I above the world or inside its dreaming? Each orbit winds us closer and further away. Threaded between everything and forever.

 SPACE (Schulte)

There was a space that we moved in, and it existed in our presence. There was a space that breathed alongside us. In and out. All around. Everything came alive. There was a space that was mine. I understood it, and that knowledge created wonder. There was a space I belonged in. Here, in the space, we find truth.

Even with all the stars in the sky, there is still space for emptiness. Stillness. The quiet of void. When stars die, they explode. The space erupts into light and heat and life until there’s nothing left of what was before. Still, there is quiet. There is space. It is not out there, it is in here. There is time. Here.

Choreographers

  • Alexandra Barbier is a multidimensional artist and storyteller whose works are often whimsical and humorous while also inspiring critical thought and social/cultural commentary and inquiry. Her creative practice draws from the various artistic disciplines she’s studied, which include fashion and costume design, dance, acting, musical theatre, performance art, playwriting, drawing, and painting. This openness to form has allowed the narratives she’s called to portray dictate the appropriate medium, creating a holistic process in which performances evolve from writing, drawing, and collaging, while art objects develop from movement and vocalized explorations.

    Learn more at here website: https://www.abarbier.com/


  • Dan Schuchart is an interdisciplinary artist and educator.  Since 2002, Wild Space Dance Company has been his creative home as a company member, choreographer, and now Co-Artistic Director.  Wild Space is known for site-specific dance and artistic collaboration.  Schuchart’s choreography has been presented from coast to coast and extensively throughout the Midwest, being heralded as, “razzle dazzle of a different sort—intelligence, honesty, psychological insight, and often breathtaking beauty” (Milwaukee Magazine). His interests in dance include collaborative creative process, dance-theatre, improvisation, and contact improvisation with standout performances in work by Susan Marshall and collaborations with the “all-star, all-female band” (Time Out New York) Victoire. Schuchart is a Wisconsin Dance Council board member, advocating for dance performance and education in Wisconsin.  In 2013, he earned his MFA in Experimental Choreography from the University of California, Riverside, where he was honored to be a recipient of the 2012-13 Dissertation Year Program Fellowship. Schuchart has BFA degrees from the University of Wisconsin, Milwaukee's Peck School of the Arts in both Dance and Painting/Drawing, and continues to work professionally in both fields. In addition, he earned a Graduate Laban Certificate in Movement Analysis from Columbia College Chicago in 2015, and recently became a Certified Fascial Fitness Trainer.  Schuchart is currently Teaching Faculty at the UW-Milwaukee Department of Dance. He has also taught dance and movement studies at Lawrence University, Beloit College, UC Riverside and has been a guest teacher at the Milwaukee Ballet, American College Dance Association Conferences, and in public school outreach programs. Outside of dance, Schuchart has worked as a scenic painter, including for the movie Public Enemies, and scenic charge for the Milwaukee Ballet, Milwaukee Chamber Theatre, Florentine Opera, and Skylight Music Theatre.

Wild Space Dancers

  • Katelyn Altmann is a movement-based artist, choreographer, and educator based in Milwaukee, WI. She holds a BFA in Contemporary Dance Performance and Choreography from UW-Milwaukee’s Peck School of the Arts, where she graduated Summa Cum Laude. She has served on faculty for the UW-Milwaukee Department of Dance and has guest taught at the University of Wisconsin-Madison.

    Deeply rooted in Milwaukee’s dance community, Katelyn has performed and created work with a wide range of local and national artists. Her choreographic work has been selected to be presented throughout Milwaukee, Michigan, Chicago, Seattle, and New York including, setting at work within DANSTAGE, a UW-Stevens Point faculty and guest concert. Altmann’s piece “soft ground, stiff shoulder” was presented at the American College Dance Association’s North Central Conference (ACDA), and in 2019, she collaborated with Joe Goode on the dance film “Real Words,” supported by the National Endowment for the Arts. Katelyn has furthered her training at Juilliard, Milwaukee Ballet, Seattle Festival for Dance + Improvisation, Point Park, GALLIM and Bates Dance Festival. She also received two Undergraduate Research Fellowships at UW-Milwaukee focused on movement research.

    Katelyn is a current company member with Danceworks Performance MKE, Li Chiao Ping Dance, Wild Space Dance Company and has performed with The Seldoms, Hyperlocal MKE, The Gina Laurenzi Dance Project, Aperi Animam, Milwaukee Opera Theater, and the Milwaukee Symphony Orchestra.

  • Emma Becker is a dancer, Choreographer, and Educator with a BFA in Dance from the University of Wisconsin Milwaukee. She started studying ballet at the age of 5 in the Central Wisconsin School of Ballet and Modern dance as a student at UWM, she is still training in both today. Emma has attended the Milwaukee Ballet Summer Intensive, the American Ballet Theatre Summer Intensive, as well as workshops with Carlos Lopez, choreographer/dancer and director of repertoire at ABT. While getting her degree at UWM, Emma has worked with Choreographers like Kia Smith, Alfonso Cervera, Katie Pile, Maria Gillespie, Gina Laurenzi, and Mair Culbreth. She has also performed in other shows like Dancework’s MKE’s Get it Out There performances, in Alluvion Dance Chicago’s Emergence show, and in Milwaukee Ballet’s Emergence performance. Emma is currently teaching at Kinetic Dance Arts, dancing with Wild Space, as well as working on many other projects. 

  • Cuauhtli Ramirez Castro (he/they) is a Mexican performing artist and dancer. He studied Performing Arts at the University of Guanajuato having a multidisciplinary approach, combining contemporary dance and acting techniques in his training. They have performed at the International Cervantino Festival (2016), as well as the Guanajuato International Film Festival (2015). They graduated from the University of Wisconsin-Milwaukee with a BFA in Contemporary Dance Performance and Choreography (2021). During his last year he was part of UWM´s Undergraduate Research Fellowship program as a teaching and research assistant for the project Parts of The Whole: The Body is Home under the mentorship of Maria Gillespie. During their time in Milwaukee, they have performed and collaborated in works by Maria Gillespie, Emma Draves, Bernard Brown, Caitlin Mahon, Joe Goode, Mair Culbreth, Amanda Lee, Cedar Becher, etc. And worked in companies such as Danceworks DPMKE, Wild Space, and Li Chiao-Ping Dance.

  • Angela Frederick has been teaching dance at UW-Milwaukee since 2009, a company member of Wild Space Dance Company 2007-2018, 2024-present. After graduating with a BFA in Dance from UW-Milwaukee, Angela established her presence in the Milwaukee arts scene by teaching dance and gymnastics, and performing with various local companies including Danceworks, the Florentine Opera Company, Dale Gutzman Productions, and City Ballet Theatre/Signatures Contemporary Dance Company. While performing with City Ballet Theatre, Angela made her move to Chicago and began working with Kinetic Dance Theatre. During her time in Chicago, she was a company member with Perceptual Motion Inc., Irreverence Dance + Theatre (Innervation Dance Cooperative), and Jayson Dance Co. (Jayson-Tisa Dance Company). Angela has choreographed and appeared in work in Solstance, Around the Coyote Dance Festival, Dance Chicago, and more. Since her return to Milwaukee, she has performed the role of Margot in the Florentine Opera’s Merry Widow and has been enjoying dancing, teaching, and choreographing with such organizations as Wild Space, UW-Milwaukee, Lawrence University (2010-2017), Milwaukee Turners, Keep Greater Milwaukee Beautiful, and Greendale Community Theatre.

  • Ashley Ray Garcia is a dancer and choreographer from Michigan. She received her BFA in Dance Performance and Choreography from the University of Wisconsin-Milwaukee. During her time at UWM, she has worked with Maria Gillespie, Simeone Ferro, Mair Culbreth, Daniel Burkholder, Anthony “YNOT” Denaro, Melissa Anderson, Dani Kuepper, Dan Schuchart, Caitlin Mahon, and Marina Magalhães. Through her love of traveling, she has had the opportunity to perform in France, Germany, Denmark, Belgium, and the Czech Republic. Garcia has shown work at Central de La Danse (Paris, France), ACDA and Get It Out There MKE (Wisconsin), Collage Dance Festival, and RAD Fest (Michigan). In April 2024, she directed and choreographed her own evening-length performance, For The Wolves. She has always had a passion for creating community and supporting dancers in her independent projects. At the end of 2024, she was selected by the Wisconsin Dance Council as one of three to present work for the Emerging Artist concert at the beginning of 2025.

    Her most recent works have been choreographed on Wild Space Dance Company, Danceworks Performance MKE Company, and Fable Dance Company. Ashley is currently a company member and has collaborated with Wild Space Dance Company, Danceworks Performance Company, and various freelance artists and projects. In the summer of 2025, she joined the faculty at Blue Lake Fine Arts Camp to teach modern technique, pre-pointe, modern rep, and composition/improv workshops. She has also taught workshops and master classes in Michigan, Wisconsin, France, and the Czech Republic. Garcia enjoys choreographing, performing, and improvising, and looks forward to gaining knowledge through both exploration and experience. She is also a published author of her poetry book, Forget-Me-Not, which has been featured in various dance performances. 

  • Zoe Mei Glise (she/her) is a choreographer, performer, and movement-based artist located in Milwaukee, WI. Zoe is Danceworks’ Development and Partnerships Fellow, as well as a company member with Danceworks Performance MKE (DPMKE), Wild Space Dance Company, and the Gina Laurenzi Dance Project (GLDP). Previously, she has danced with Madison Contemporary Dance and Nova Linea Contemporary Dance. Zoe received her Bachelor of Fine Arts in Contemporary Performance and Choreography at the University of Wisconsin-Milwaukee. In 2019, with the help of a National Endowment for the Arts grant, Zoe collaborated with Joe Goode to create a dance film “Real Words” which was presented at the North Central American College Dance Association (ACDA).

    In the summer of 2022, Zoe was selected to travel to Paris, France to attend the Camping Residency at the Centre National de le Danse, where her work “what was, what is” was performed. Her solo “blood, DNA, connection” was accepted to present at the National Conference on Undergraduate Research (NCUR) in Bozeman, MT. She has been selected numerous times to choreograph for Danceworks’ Get It Out There concerts in Milwaukee, WI, and has set work for performances with La Crosse Dance Centre in La Crosse, WI. In 2025, her most recent work “Property of Society” was selected to perform at the Emergence festival in Chicago, IL and Dance for Hope MKE in Milwaukee, WI. Zoe has furthered her training through summer intensives and workshops, working with companies such as the Joffrey Ballet, Bandaloop, Wasatch Contemporary Dance, Nova Linea Contemporary Dance, Stewart/Owen Dance, and the Minnesota Conservatory for the Arts. In the fall of 2024, Zoe presented her debut evening length performance “Uncommon Ground” held at Adventure Rock Milwaukee, as a way to blend her two passions—dance and rock climbing. 

  • Jessica Lueck is a dancer currently based in Milwaukee, WI. Through the University of Wisconsin-Milwaukee she has attained two degrees, one in Dance Performance and Choreography and the other in Information System and Technology. Through the duration of her time at UWM, she has studied modern, ballet, jazz, improvisation, composition, Alexander technique, laban movement analysis, applied anatomy, and numerous other master classes. She has also performed in works created for several UW-Milwaukee Faculty Shows, working with Artists such as Emma Draves, Daniel Burkholder, Maria Gillespie, Deb Loewen, Parijat Desai and Dawn Springer. Jessica has also studied abroad in 2022 through the Centre national de la Danse in Paris, France. In 2023, she attended SALT Link dance festival in Utah, working with Christian Denice and Nicole Von Arx. Before attending UWM, she has had training from the Milwaukee HighSchool of the Arts, where she studied modern, ballet, pointe and composition under Sandra Jordan and Dean Drews, with additional instructors such as Amie Ferrante and Petr Zahradníček assisting in her training. She has also had numerous Master classes during this period including Milwaukee Ballet and Alvin Ailey II Company and more. She is currently a dance instructor at B.Inspired dance, where she teaches numerous styles of dance to both Recreational and competitive students. Jessica also performs with Wildspace Company as a Freelance artist and has started her fourth season with Danceworks Performance MKE.

  • Jenni Reinke is a multidisciplinary performing artist, administrator and teacher. She has danced with Wild Space since 2018 and has served as managing director since 2020, supporting the organization through its historic transition of artistic and executive leadership and expansion of diversity initiatives. Her work for four dancers, “At Right Angles to Ordinary,” was commissioned for the company’s final season under direction by Founding Director Debra Loewen. As a founding member of Quasimondo Physical Theatre, Jenni has devised more than 20 original projects since 2012. Credits include creator, co-director, choreographer, and performer. The press has praised her work as “gloriously full-bodied [dancing]...gorgeous” (Milwaukee Magazine); “Always mesmerizing…ravishingly beautiful…riveting” (Milwaukee Journal Sentinel); “virtuoso…a powerful dancer and formidable stage presence” (Shepherd Express); “precise, captivating, and unafraid of humor” (Chicago Reader); “a tour de force of the highest artistic integrity” (playonmke.com). Beyond Milwaukee, she has performed her work in New York, Vermont, Chicago, and Minneapolis, most recently touring her original solo dance theater production Mrs. Wrights. An alum of the nonprofit leadership program Public Allies, Jenni has managed projects addressing arts education, social, environmental and food justice. She has taught dance, music and collaborative art to students of all ages. Jenni holds an MFA in Dance/Choreography from University of Wisconsin Milwaukee and a BA with a music major and philosophy minor from Beloit College. To learn more, please visit www.jennireinke.com.

  • Born in South Korea and raised in Wisconsin, Elisabeth Roskopf 이지영 is a dancer, performer, choreographer, educator, pianist, and a mother to her daughter, Alina. She is a company member of Li Chiao-Ping Dance, Danceworks Performance MKE, Wild Space Dance Company, and the Gina Laurenzi Dance Project. Elisabeth received her Bachelor of Arts in Piano and a minor in Dance from the University of Wisconsin-Eau Claire. She earned her Master of Fine Arts in Dance at the University of Wisconsin-Milwaukee (UWM) where she is honored to be a recipient of the Graduate Student Excellence Fellowship award. Elisabeth’s Dance MFA thesis concert, | Out of Place |, became a platform for her to create the first Transracial Asian American Adoptee Dance Project in the city of Milwaukee. At UWM, she began her career in academia as a lecturer in the Department of Dance and became a graduate teaching assistant while she is also performing and studying under the distinguished professors and guest artists such as Daniel Burkholder, Maria Gillespie, Mair Culbreth, Dan Schuchart, Dawn Springer, Deb Loewen, Mauriah Donegan Kraker, Vershawn Sanders-Ward, Jan Erkert, Alexandra Beller, Kevin Williamson, Teresa VanDenend Sorge, and Sooyeon Lee. Elisabeth is the Founder and Creative Director of Dance For Diversity, a screendance project that is made explicitly for Artists of Color to share their voices and stories of identity through their dance-making and performance work.

    Elisabeth co-produced and performed in Provenance: A Letter to My Daughter, an award-winning screendance work created with director/choreographer Li Chiao-Ping and cinematographer/editor Christal Wagner. This dance film has been selected to be screened in various film festivals nationally and internationally, such as the 2024 Incheon International Short Film Festival (Finalist for Best Short Film), 2024 Busan New Wave Short Film Festival (Best Editing Award), 2023 Experimental, Dance & Music Film Festival (Best Direction Award), 2023 Milwaukee Film Festival, to name a few.

    As the second installment following Provenance, Elisabeth conceived 결코 잃지 않았다 (Never Lost) as the next chapter in her ongoing MFA thesis research. This dance film was created in collaboration with director, choreographer, and producer Li Chiao-Ping, cinematographer and editor Christal Wagner, and featuring performance, unscripted narration, and additional choreography by Elisabeth. Never Lost received the Honorable Mention in Direction award from the 10,000 Dreams Film Festival, the Audience Choice Award from the Asian American Dance Festival, and the Exceptional Merit Award from the 2025 WRPN Women’s International Film Festival.

    Elisabeth’s research encompasses autoethnography in movement through storytelling that creates a path for her embodied subjectivity. She links her corporeal experiences through cultural studies, post-colonial studies, and embodied cultural memory. As a Korean American Dance Artist, Elisabeth’s choreographic work creates a platform for Adoptees and BIPOC Dance Artists to have a place to be visible in the fullness of their identity and authenticity while fostering a sense of belonging through embodied storytelling.

  • Nicole Spenceis a movement artist in the Milwaukee community. She studied modern dance at UWM and has collaborated with many dance artists such as Daniel Burkholder, Dani Kuepper, Kym McDaniel, Amanda Lee, Katy Pyle, Ari Christopher and many more wonderful artists. She channels her passion for dance into her career leading music and movement classes for the elderly at the Milwaukee Catholic Home. She has interned and performed with Wild Space periodically since 2016. She is excited to be back dancing with Wild Space continuing her movement exploration.

Production Team


  • Lighting Design & Stage Manager

    Colin Gawronski is a lighting designer and theatrical technician native to Milwaukee who has worked extensively with Danceworks, Inc, Milwaukee Chamber Theatre, Sunstone Studios and Black Arts MKE/Bronzeville. They have worked with other local companies such as Renaissance Theaterworks, Wild Space Dance Company, Milwaukee Opera Theatre, Gina Laurenzi Dance Project, and In Tandem Theatre. Colin has also worked with Theatre Lila, Third Avenue Playworks and Forward Theater. Favorite productions include: StewOut of Many One‘Neath the Hills of Bastogne, /maskəˈrād/, Dutchman, Black Nativity, Romeo & Juliet: A Theatre Lila InventionSecrets From the Wide SkyDaddy Long LegsSpalding Grey: Stories Left to TellStories From a LifeThe Glass MenagerieSerendipityBirds of North AmericaMy Fair LadyLamps For My Family, and Vagabondare. Give Love Always.


  • Technical Director

    Tony has been doing work for theater and dance the last 27 years. He is the technical director for Wild Space Dance Company and Renaissance Theaterworks. He has worked for UWM Dance, Danceworks, Alverno Presents (R.I.P.), Skylight Music Theatre, Milwaukee Chamber Theatre, and Bialystock & Bloom (R.I.P.).  In a parallel universe, Tony is a partner in a small custom carpentry firm.

Thank you to the UW-Milwaukee Dance Department, PSOA Facilities, Deb Loewen, Simone Ferro, Alexandra Barbier, Jeff Pearcy, and the Wild Space Board of Directors

This program is supported by a grant from the Milwaukee Arts Board and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Thanks to our season supporters Bert L. & Patricia S. Steigleder Charitable Trust, Baker & Dr. Nadine A. Chang, Gardner Foundation, Pieper Electric, Inc./Ideal Mechanical and: